Anatomy Films Archive Cheap Film Camera – The Nikon F70 Eikoh Hosoe – Mentor & Mentee The Newest Rollei 35AF Street Photography – A Visual Journey The Artistry of Nora Geist: Capturing the Unseen Leica Clone for Budget Conscious Photographers JOBO Like Film Processors KEH or MPB? – The Used Photo Gear Bonanza Nikon S2 – A Mechanical Mid-Century Wonder A Fast and Dirty Darkroom – A Legacy of Creativity Modern Day Celebrities with Analog Brains The Exposure Triad LomoChrome Turquoise – Simple Use Reloadable I Hate Digital Photography! Ilford XP-2 -Saving B+W? The Canon Rangefinders Rube Goldberg or,….The Future? Ultra Wide Angle Lens from Lomo Nikon N90s/F90x – A Victim of Circumstance Yashica Mat 124G – No Respect? Large Format “Instaxly” Advances Fred Herzog – Kodachrome Eyes Lucien Clergue – In His Own Words I’m Baaack!!! The Lameness of Facebook Groups Cibachrome in Heaven Frank Horvat – Still Rockin’ Wanna Shoot Film on the Cheap? Jane Bown – The Gentle Eye Tony Vaccaro – From War to Art Vintage Cameras – The Vast Unknown SLR – The Beginnings Konica Big Mini – Big Images? Hiroyuki Ito – Leica Film at NYT Michael Kenna – The Long Exposure The Golden Hassy Ryan Weideman – Wild Ride A Pandemic World and Photography 13 ISO B&W Film A Nikon D5 for a D6? Really? Low ISO Film Extraordinaire! Bill Cunningham – Historian or Photographer? Film and Typewriters? Tod Papageorge and the ‘Texas Leica’ The New LomoChrome Metropolis Camera Liam Warton – Expired in Sweden Fight of the Century? – Minolta vs Yashica Terry O’Neill and the Golden Age Nikon F80/N80 – Still A Bargain Minolta SRT Series Secret Medium Format Lens vs 35mm Lens Sutton’s Liquid-Filled Lens? Toby Deveson – West of the Sun Jill Freedman – The Joy of Photography Hashtag RIP Spectra Film? Susan Meiselas – Under the Radar? Nikon F100 – Closest to DSLR? New Film – Analog Grows Daniel Arnold – In the Mix Why You Should Shoot Film Thomas Struth – Finding a Common Thread The Lomography Petzval 55MM MiNT RF70 – New Iteration Digital is Dead Olympus Mju II – Simplicity Personified Linhof – The Rangefinder 4×5 The Most Hated Leica? The Lomogon 32mm F/2.5 Lens – A Street God? Joyce Tenneson – The 20×24 Years Marco Argüello – South Beach Chroma F.C. Gundlach – The Real Fountainhead? Francesco Scavullo – Lighting Master Saga Sig -Future Icon? Leica M10 Safari – Like Buying Stocks? German Cine Film Goes Medium Format Martin Munkácsi – Father Of Fashion Photography AI Cameras? Really? Lewis W. Hine – Children at Work Yashica T4 – Legend or Hype? Lomo Goes Square Instax Backs for Medium Format Cameras Kodak Tri-X and D-76 The MiNT RF70 – First Pics Sven Marquardt – German Industrial Lomo’s New Berlin 400 Mike Brodie – Hobo Nation The Pixii Rangefinder Camera Nikon FM – The Legend Voigtländer Bessa vs Leica? The Mamiya 330 – A TLR Legend Paolo Roversi – The Legend The Film Revolution Lukasz Wierzbowski – 20 Something Analog Andy Warhol – Analog Selfie Jerry Uelsmann – Darkroom Magic Female Pioneers of Photography Juergen Teller – 2016 Film Photographer? Ryan McGinley – Snapshot Art? Leica Vs Contax – Rangefinder Wars Andreas Gursky – Big Art, Big Money Nikon SB-80DX Speedlight….THIS IS NOT A REVIEW!! Sarah Moon and the Old School Rolleiflex 6008, 6001, 6002, 6003, 6006 – Beyond Hassy? Lomo Goes Purple Harley Weir – Film Emotion William Eggleston – Godfather of Color Ellen von Unwerth and B+W Film Colorless Peter Beard – Unbelievable Katherine Gillis – Retouching: The Lost Art Leica M10-P – The Ultimate? Viktor Vauthier – French Kiss Time for a New Sprocket Rocket? Bob Richardson – Sex, Drugs and Rock ‘n’ Roll Vincent Peters – Film Noir 15 Best Film Cameras Direct Flash Photography – Really Edgy Anymore? Tony Kelly – Over the Top? Roger Ballen – South African Cool The Private World of Cindy Sherman Hubert Crabières – The French Way Denis Grau and his Leica M Irving Penn – Portrait Icon Gerard Petrus Fieret – My Insatiable Praktica Jonathan Leder – Low Tech Hero Guy Bourdin – Modern Color Noah Jashinski – The New Analog Michael Putland – Pleased to Meet You Chuck Close and the Daguerreotype Gregory Crewdson – Edward Hopper on Film Ferdinando Scianna – Sicilian Heat Bill Brandt – High Contrast Distortion New Lomography Color Negative Phillip Leeds – Big Shot Sante D’Orazio – Death of Sensuality The New InstantKon RF70 Bettina Rheims – Hot Art Martin Parr – Art or Street? Nobuyoshi Araki – Art or Porn? Douce d’Ivry – French Photographer, Oriental View Jarji Kavelashvili – Georgia On My Mind Nikon F4s – The Brick Peter Lindbergh – No Retouching, Please Looking Too Cool for School Willy Spiller – True Grit Rolleiflex SL2000F – The Rollei 35mm SLR Louis Dazy – Double Vision Ilford Films Grande Terence Donovan and The Terrible Three Annelie Vandendael – No Photoshop, Please Rolleiflex Goes Instant David Chancellor – The Hunter Chamonix – An Artisan Camera Miroslav Tichý – Voyeur Ellen Carey – Photographic Boundaries Neptune Convertible Art Lens System Rala Choi – Magritte goes Analogue Gennadiy Chernomashintsev – Ukrainian Master Kodachrome – The Movie Man Ray Does Dada Mad Men and Film Ellen Rogers – Making the Old New The Legend – Nikon 85mm F/1.4 Alfred Cheney Johnston – The Follies Paulo Monteiro – My Archipelago Dolce & Gabbana – The Sicilian Way Robert Adams – A Social Landscape Ray K. Metzker – Potential Realized Irina Ionesco – Accidental Goth Yoshiyuki Iwase – The Divine Passion Osamu Kanemura – White Rabbit Opium Dream The Real Cost of Digital August Sander – From Portrait to Landscape The Kodak Mystery Solved Nikon F3 – The Mechanical Bull The German Kodak Jouko Lehtola – Youth Remembered Valdir Cruz – Rainforest Chronicles Lisa Elmaleh – Dirty Hands A Female in The ‘Triumvirate’ The Nine Lives of Film Lomography — A Love That Lasts Franco Fontana – Shapes and Colors If The Guardian Says It… A Warped Philosophy Rosie Matheson – Portra Portrait Mario Giacomelli – I’m Not a Photographer 25 Years of Lomography Helmut Newton and the Birth of the Badass Bitch Lomo’Instant Square Hans Feurer – Smooth as Butter Harri Peccinotti – Sensuality Vivian Maier – Self Worth A Lost Art Goes Live – By Carol Butler Slim Aarons – A Charmed Life Stefano Carnelli – Transumanza Polly Chandler – Interpreting Waits Pentax 67 – FrankenMonster? Saul Leiter – Photo Impressionist Brian Finke – Color Irony Lomo Goes Leica? Max Pinckers – Belgian Waffles The Rollei 35’s Symbiotic Film – Twin Images Robert Capa – 35MM at Work Xmas in Filmland – Best Film Camera Stocking Stuffers Jill Schweber – Youth and the Motherland The Noritsu – Scanner Heaven? Samuel Zuder – The Linhof Chronicles Elsa Dorfman – The B-Side Parker Hill – The Beauty of Grain Richard Mosse – Infrared Guru Carol Jerrems – Short Time, Long Shadow Henrik Purienne – Mirage Bert Stern – The Original Mad Man Colin Dodgson – Doing It Right Garry Winogrand – Street Theatre The Birth of Reflex Leica Film – Still Relevant Charles H. Traub – Color on the Street Panorama on the Cheap Herb Ritts – Color Blind Neal Preston – ‘Download Now’ Bill Bernstein and Studio 54 Replication Infinitum Analog and The New Fashion Terry Richardson – Walk a Mile Juergen Teller – Growth I’m Back – A Hybrid Holga? Nikon F2 – A Short Attention Span Les Krims – Genius Revisited Ibolya Feher – East Street Icon John French – Low Contrast, High Key Hiro – My Hero Parker Day – Freakin’ Film Chris von Wangenheim – Expanding Fashion Owen Harvey – The Beginnings Sian Davey – Loving Alice Samuel Bradley – A Quality of Rawness Trent Parke – Humanity on Film Mark Maggiori – French Art Goes West Jason Lee – The Film Chronicles Willy Ronis – The Heart of Paris Pennie Smith – Music Photography Petra Collins – A Young Nan Goldin? Is Polaroid Back? Hardly. Emma Picq – Love of Grain Andre de Dienes – Marilyn, Mon Amour Rob Hornstra – Going Dutch Morganna Magee – Humanity Down Under Kodak – A New Day? Collier Schorr – The End Game Walker Evans – Polaroids Alice Springs – Not Just an Aussie Town Edward Weston – “The Greatest” Cheryl Dunn – Street Wise Before Photoshop,…Philippe Halsman Christina Paik – Girls Nikon F4s vs Nikon F5 Raymond Depardon – Film to Film Richard Sandler – Glamour and Grime The $28 Wonder Flash Adrienne Salinger – Real Teens Leanne Surfleet – Accidental Vision The Olympus OM-2 – Better? Isabel Curdes – Dreams on Film Tim Walker and the 2018 Pirelli Calendar Thomas Ruff – The Portraits Tina Barney – Large Format Elite Bernd and Hilla Becher – 8×10 Industrial Beauty Fujifilm Mini 8 vs Fujifilm Mini 9 Edward Steichen – Always the First How’d You Do That, Olivia Bee? The 8×10 Intrepid Camera – Large Format for the Masses Davit Patatishvili and his Nikon F80 Emily Scarlett Romain – From London to New York Andrew Kochanowski – My Year With Film The Pentax K1000 -1976 to 1997 Tal Marciano – Mt. Olympus in the Holy Land Celebrities and Analog Nick Prideaux – An Aussie Abroad Minox 35 – Underrated or Unreliable? Jacob Aue Sobol – Danish Sushi Michael Massaia – The Bruce Springsteen of Large Format The Polaroid SX-70 Rebirth Brigette Bloom – DNA on Film Nikon 35Ti – The Art Deco Camera Tamara Lichtenstein – Youth and Femininity Arthur Elgort – Inspired David Benjamin Sherry – The Modern Landscape Henry Talbot and Australia’s Swingin’ 60’s Helmut Newton Polaroids Katherine Gillis – Analog Retouching Anton Corbijn – A Musical Silver Print The Olympus XA Family Marc Lagrange World of Film and Polaroid Robert Frank – A Different View Sandro Giordano – Face Plant Chloe Sheppard – No Shitty Selfies, Please Fabien Vilrus and 35MM Love Nina Leen – The Face of LIFE Rene Burri – A Road Less Traveled The New Instax SQ10 – The Wrong Road? Nikon L35AF – Not Hip Enough? Mathias Sweet and the Sweet xPan Stefanie Schneider and Polaroid Dreams Does Analog Need Saving? Halim Ina – The World Portrait Wim Wenders – Haunting Mamiya – Grandaddy of 6×7? Don McCullin and Irreconcilable Truths Oleg Oprisco – Black Sea Mist Anastasia Egonyan – Bokeh Parfait Canon A-1 – Cheap and Awesome Yousuf Karsh – Portrait Royalty Yelena Yemchuk – Turning Fashion into Art The Rolleiflex TLR – 1929 to 2012 Robert Mapplethorpe – Flowers Joel-Peter Witkin – A Life in the Macabre Hasselblad 500 C/M – The Magic Box Joseph Szabo – Almost Famous Richard Avedon – Portrait or Fashion Icon? Lillian Bassman – Dreamy Contrast Marjorie Salvaterra – ‘Her’ Sophie Barbasch – Fault Line Minolta CLE – A Better Leica? Wang Wei – Eastern Punk Ed van der Elsken – The Intimate Lens A Hybrid Workflow for Analog Jan Scholz – Film, Daylight and Portraiture Rena Effendi – Analog Conscience Bergger Pancro 400 – Vive La France! Edo Bertoglio – New York Polaroids Ren Hang Dead at 29 Brooke Olimpieri – Not Just a Filthy Mouth Nina Ahn – Travels Jody Rogac – Intimately Soft Motoyuki Daifu – Life is Messy 10 Best B+W Films Platon and Film Portraiture La Dolce Vita and the First Paparazzi Softar Filters – Kitsch Gone Wrong Dorothea Lange – The Great Depression Nikon F6 – Film Perfection? John Nanian – Art and Caffeine Fear of Flying – Artificial Lighting The Lomo Belair – A Creative Well Bruce Davidson – Street Ghost Being Square – The New Cool Shinya Arimoto – From Tibet to Tokyo Nóra Barabás – Hungarian Rhapsody Tim Walker – Still Film Jaime Erin Johnson – A Delicate Art Wingla Wong – The Exuberance of Youth Brittany Markert – My Analog Self Kodak Ektachrome Returns! Craig Stuart Eisenberg – Film in La La Land Anatomy Films – Seeds of Hope Li Hui and Soft Grain Feelings Sophie Van Der Perre and the Femme Fatale Joni Sternbach – Surfing the Tin-Type Ellen Rogers Analog World Shoji Ueda – Photo Surrealism Jean Pagliuso – From Models to Chickens Tom Petkus – Analog Passion Giulia Bersani – Lovers Contax T3 – P+S Pinnacle Matteo Montanari – Analog Fashion The Nikon Nikkormat Models Toby Deveson – Lil’ Old Nikkormat Ka Xiaoxi Raw Sandy Kim – Self Exposure Igor Moukhin and Soviet Life Leica M3 Still the Greatest Anders Petersen – Professional Amateur Patrick Joust and the Streets of Baltimore Boris Mikhailov – Outside the Gulag Brassai – The Eye of Paris Luo Yang – The New Girls of China Canonet G-III 17 – Baby Rangefinder Miguel Soll – Brazilian Heat Nikon EM – Nikon Fail? Larsen Sotelo – Speed of Light Colin O’Brien – Brownie to Leica Edie Sunday – Mixed Media Analog Maya Fuhr – Pentax Thespian Todd Hido – Dreamweaver Albert Watson – The Horseman Years Julia Updegraff – Yashica Art Alex Timmermans – Collodion Steampunk Konica Hexar AF – Under the Radar Nina Mouritzen – 36 Frames Clyde Butcher – The Other Florida Nadav Kander – Portrait or Landscape? Nan Goldin – The Birth of Grunge Mary Ellen Mark – A Film Legacy Nikon FA – Forgotten? Robert Doisneau – More Than a Kiss Ralph Gibson – Leica Icon Jacques-Henri Lartigue – The Accidental Photographer Sam Hessamian – Film Noir Chiara Dondi – Fear and Love in Film Photography Ren Hang – The New China The Black Arts – Film Developing The Impossible Projects I-1 Leica Goes Instant Sergio del Amo – MJU II Lover David LaChapelle in Isolation Sara Sani – Sort of Homeless Duran Levinson – Oriental Adventure Sarah Moon Polaroids Lee Friedlander and Photo Jazz Nicolas Guérin – Dark Portrait Dolls Kill – IDGAF Fashion Marcus Ohlsson – Swedish New Wave Maxime Ballesteros – French Heart, German Mind Graffiti – Outlaw Art Ken Pate – French Bad Boys 12 Best Online Photography Magazines Brian Duffy and the Swingin’ 60’s Richard Billingham – British Underbelly Pamela Hanson – Natural Fashion Jeff Wall – Art or Photography? Spencer Tunick – 1st Amendment Nude Norman Parkinson – Modernizing Fashion Contax T2 – Titanium Zeiss Film Photographer – Hipsters or Not? Ansel Adams – Truly Famous Oliviero Toscani – A Career of Shock Nikon FM3a – The Last Mohican Corinne Day – Street Fashion? Punk Photography, East and West Diane Arbus – Courage Discovered Patrick Demarchelier – When Film was King Toyo 45CF – Cheapo 4×5 LaRoache Brothers – Organic or…? Sam Haskins – Out of Africa Ralph Eugene Meatyard – Unrequited Love Deborah Turbeville -Lingering Memories Twin Lens Reflex Polaroid? Conflict – A Real Documentary Bob Carlos Clarke – Made In Heaven Evzen Sobek – Life in Blue Jeanloup Sieff – Wide Angle Fashion Bruce Weber – The Photo Bear Peter Lindbergh – Natural Beauty George Hurrell – Hollywood Glamour Contax G1 – Forgotten Gem David Bailey – The Age of Cool Mario Testino – The King? Les Krims – Polaroid Transfers and Crazy Stuff Jan Saudek – Old School Nikons 50mm f/1.2 – Still Here Larry Clark – Banned! Roxanne Lowit – Party Fashion WetPlate Maven Lomo Instant – The Good, The Bad, and the Ugly Billingham – The IZOD of Bags Elliot Erwitt – Street God Canon 1V – Digital Blueprint Rineke Dijkstra – Dutch 4×5 Speed Graphic – Large Format Snapshot Daido Moriyama – Snapshot Art Henri Cartier-Bresson – For The People Sebastião Salgado – Honor Above Image Mikael Jansson – Swedish Cool Yashica Electro 35 GSN – A Better Mousetrap Helmut Newton – King of Kink Mamiya 7 – Rangefinder Giant Enlargers – Dinosaurs? Kodachrome – the King is Dead Fuji 670 – Most Underrated Medium Format?
